Archive

Tag Archives: campaign

Bank Audi: Clear all the way

By Admin I : So being a designer in the first place, seeing a local campaign basing itself on a “designed” style of animation to deliver a message changes a lot of my perceptions and assumptions talking ‘agency vs. client’. ‘Go out there’ was one of the first local campaigns depending on a stop motion technique before a whole storm of 2d animation media buzzing all around the field. Yes it worked, and Audi used the 2d paper effect in many applications and still is. Despite the fact that the technique itself is becoming somehow overused, the new approach for the house loan by Audi certifies that a design work can save a whole campaign if done properly.

Visually engaging and brilliantly executed, but somehow lacking a rhythm. the campaign is a total eye candy if speakers didn’t exist, simply because the extensive use of the voice-over compared to its length made it redundant and somehow repetitive; dudes, we know golden coins connote money, so you don’t have to say it, we can assume the presence of annoying neighbors visually without saying it again, no i mean really, the copy fails big time until it reaches the end sentence, where it “unfolds” the concept and clarifies the association with the medium, paper.

It is somehow an all time winning card: stop motion, visually similar to David Habchy’s work who has cooperated numerously with the agency, and executed the most interesting local stop motion videos for Tania Saleh for example, one of the creatives of the same agency as well.

Good job for Audi and Leo Burnett Beirut, it is indeed an engaging persuasive TVC, making up for the mess of the Audi outdoors, full of fake promises and hasty design approaches.

Until ‘design’ reigns most of your work, Cheers!

 

Domo sweet stories: nostalgia taking form!

By Admin I : Domo is a Lebanese brand famous for sweet products (ready made cake mixes, jelly, and other delicious chemicals with too much sugar) but more importantly the brand is known to be present at nearly every Lebanese house since ages, we all had some and still look stupidly happy when remembering how mothers used to prepare birthdays themselves, back then, Ronald McDonald was not even around and “jungle land” was, umm a real jungle!

Anyways, Domo is advertising; and who are they kidding, the brand is in serious trouble because of consumers’ behavior changes, but who cares, the campaign will surely boost some sales, looking at the fact that it was designed to play on nostalgic memories. Yes, true, it’s like the ad number 1 zillion going in the same direction: a nostalgic approach, a fun emotional copywriting job, and a low sat colorful art direction. fine! But for some reason it works super well here!

The whole approach looks tailor-made, and tailor made for me is when it fits the product and this product only. it’s quite emotional but doesn’t really push your cheesy buttons, it’s well executed but not too artistic, it’s a blend of the right ingredients used responsibly!

Domo succeeds promoting a personal intimate image, taking everyone in a journey full of memories, tacky birthdays and messed up sweets.. “Sweet stories/ qussas helwe” has definitely set the right tone for the right product even though making you “sigh, smile” does not necessarily drive you to buy.. still.. sigh, smile!

McDonald’s “Tastes of the world”

Review upon request.

By Admin R : McDonald’s has maintained recently an extensive advertising campaign. In addition to the additional media (Tv and radio: from 12 till 3), , the online media has played a central role in the company’s advertising strategy.

The tastes of the world, a new concept that McDonald’s underwent to bring to us taste sensations from across the globe.

McDonald’s Arabia embedded their Facebook page with a fun interactive application that enables fans to create posters inspired from the Tastes of The World. (It’s more like fotofunia or magur pic, nothing innovative, why did I write fun by the way?!)

Okay let’s focus a little bit, the ads are entertaining, making you wonder at first, then you realise the purpose and the product. This approach is way better that the “Melhem Barakat” spot aired in Lebanon few months ago pretending to target the mass; back then the ad was as useless as the offer!

Tastes of the world introduced the Spanish, the Arabic, the Asian and other versions all playing on very popular stereotypes of drama series, the Arabic series cliches and the dubbed Mexican ones we grew up watching. Super interesting, funny and well executed keeping the “pop” twist to the product in general without going tacky. A note for McDonald’s Lebanon, pop does mean overacting, it is the essence of what a certain culture is made of, and exposed to.

Tastes of the world is super super tasty!

Burger King ME “20 Years Young”

An emotional commercial to celebrate 20 years of Burger King.
An anthem to what we’ve seen, to what we’ve lived and to what will be next. An anthem to stay young and live every single day with passion.
Shot all around Dubai by the talented duo of young directors, Sebastian Funke & Jan Vogel and finalized with a tailor made sound track, “20 Years Young” will be screened in the whole Pan Arab region on TV, web and cinemas.

By Admin I : So here’s another international brand celebrating its presence in the middle east with what they called an “emotional” campaign by Lowe MENA! As if 20 years of junk and unhealthy meals weren’t enough.

Burger King used the same old approach, that was formerly done by too many banks in the region and in Lebanon precisely, telecom companies, dairy products and my grandma’s bra label (just pretend it exists)!

if we disregard the cheesiness of it in general and the fact that barely no Middle eastern creatives contributed in it, the campaign can be dissected into a blend of the “anything” mixed with a slow motion greasy meat shot that can make you go and buy the product (I know you do, beasts) but fails to reach a point of identification with the brand. Being present for 20 years in our market, I’m just surprised at how much you failed capturing the true essence of our lifestyle in general, and fell into the total cliche, while celebrating such occasions can be quite a good opportunity for any brand to gain exposure, (Oreo 100 years for example).

Sorry for the “not-so-happy meal” guys (oh wait, that’s by McDonalds… whatever, it works!)

Shammas by Clementine: How different could it be?!

By Admin H : Mosquitoes: one of the things I never appreciated until, just until, I saw the new Shammas ad. That flow of creativity featuring once again the stereotypical “Ashrafieh tantes” have bothered me more than an annoying mosquito buzzing near my ear on a Sunday morning! And how about that horrible fake scar on the guys forehead!? Well I certainly do appreciate mosquito bites more than such having such a mark.

Dear Clementine, after trying so hard to defend you, and torturing myself so many times trying to find the “thing” in your ad, I must say that I couldn’t even appreciate the set or the direction this time, and your copywriting killed me! Maybe we should go back to the basics and just remind you of something called USP (yes, Advertising 101), saying something positive about your brand, not displaying its inconvenience nor its negative attributes, highlighting it and then ask people to pay for all those cons! Your ad hurts so much that I’d choose the “others”.

And as if the pain wasn’t enough, this ad turned out to be part of a campaign. Can it be called a campaign?! Well with Clementine everything is possible. You might think that campaigns should have a unique USP, a common point or message, but it’s not the case here; back at university they used to say it’s the same concept under many visuals, each with a direction but remaining harmonious. But duhhh, can’t you see the similarity between “اريح تقسيط بالكون” and “شفّاف ما بينشاف” (Gawd rhyming slogans are so 90s!). And yes it is the same approach for the same target audience but done once with an overused stereotype and once with an overacting cast.. Boumali, where are you guys?!

Almaza and the LIGHT bulb!

By Admin I : Well, cheer up you guys, I’m not bashing your dear patriotic brand this time! It’s the total opposite;  Almaza managed to release a well thought of campaign with very interesting teasers, based on copywriting, and this time the “smart” copy came in English hinting “Light” to create a buzz around the first local light beer with a new bottle design, transparent, yellow and dark blue (cough-corona-cough!) (P.S: I will be coughing more than once during this post!)

Being a smartas*, clever, super great reviewer the teasers didn’t quite tease me, it was too obvious the campaign was about light beer (Diva reminder). The copy came well written, smart without being too complicated and managed to deliver the message to Almaza’s audience in an interesting way yet targeting light beer audiences with English copy was off the flow of Almaza’s previous campaigns, as if the beer is competing in the wrong field, against other brands that pulled numerous campaigns based on smart copy (cough-Lebanese Brew-cough) while Almaza was too busy playing with the bottle and making a quite good range of forced analogies.

And here comes the awkward use of online: A Facebook application designed for the audience to choose one of the proposed campaigns, all evolving around the “light” concept, as if they’re asserting our previous theory about Almaza ads (cough-an agency has too much free time-cough). The numerous versions differed between good and drafty and the copywriting still dominated the cheap repetitive visuals; the outdoors released simultaneously, made the online approach totally obsolete.

A good campaign by Almaza, cutting the pointless “vintage” online they launched weeks ago, adding a new layer and a new approach that still couldn’t get as light as the beer!


Blom Bank’s Alfa Blom MasterCard: Inspired*

By Admin I : If you thought for a minute that the “inspired*” series of posts ended a few weeks ago, you’re probably not very familiar with Lebanese advertising run by many copycatters that don’t even know how to hide their inspiration* sources!

We know this campaign has been covered on other blogs revealing the visual theft, and here we are revealing another, so if an art director got away the first time, I’m sure he wouldn’t survive this other proof. Anyhow, this post is not about copycatting, since you know, case closed, they drained every hope of being only inspired, they got to the point where we can call it theft, guilt-free.

The point behind this post is the “how” and “why” of this hypocrite advertising approach, lacking a clear definition. The layer of concept didn’t even make up for the stolen art, because there is simply no concept. The approach was taken literally “you can talk more, so they doubled the lips” Ha! What are they trying to communicate to their audience? Nothing (unless they’re trying to remind you of the annual eye check). I’m very honest here, if we try to forget the poor visual, this ad remains flat and still fails to deliver any message!!

See?! I was trying to be nice and fetch deeper, but my evil aura refused to credit any detail in the campaign, Well what could you expect from today’s agencies other than cliche commercial advertising vs. well done CSR campaigns simply because it remains an award magnet..  Multinationals gone bad, too bad!

1- Don’t drink and drive – Research credits: A member of our Facebook page

2- Alfa Blom MasterCard – Photocredits: Beirutdriveby.com

Exotica Collections, NO COMMENT.

By Admin I : Let me tell you, The minute I saw this campaign I decided not to review it for many different reasons, but then, and like every exotica ad, the visuals went virally, and Facebook timelines started witnessing an active debate between different points of view.

And I still don’t want to comment, avoiding being a hypocrite in a country where criticism is taken personally, where agencies don’t give a damn about receiving constructive feedback, and don’t even acknowledge doing a misstep. I won’t tone down to any agency, to any campaign, to any brand; therefore, I’m not commenting.

Another approach took place this time. We emailed 5 advertising/design experts and amateurs, and we will just feature their feedbacks in this post, trying to provide you with insights.

Guest J :  I liked the outdoors visual although it lacks a concept. The one with a portrait format looks too photoshoped; her eyes are fluorescent green and her hair “Haifa black”, it makes her quite vulgar. In general the campaign lacks a concept, but the outdoors are convenient being a breath of fresh air in the visual clutter than surrounds billboards on our highways.

Guest R :  The campaign is simple and young but slightly boring.

Guest Z :  I don’t really grasp the concept of mixing couture and plants. The campaign seems like a rushed stock photo collage with hardly any clear direction; something I would have been asked to do in a Photoshop course back in school. (@zoozel on twitter)

Guest M : The campaign lacks a second degree layer, “what you see is what you get” and the fashion/flower analogy has been used before by Exotica in last year’s weddings campaign (wedding couture). The visual is poorly processed and using a female body looks tacky in one of the visuals. hinting a silhouette with the use of a plant could’ve been much more interesting.

Guest T :  (talking about outdoors visual) It has nothing disturbing for the eye at least, nothing shocking but at the contrary it kind of hits the message directly and the plant actually looks like a dress and specifically a “couture” one which fits the theme of ‘Exotica collections’ .. I loved the outdoors visual!

In the end, and if you’ve been to an advertising/design jury before, you know the ultimate painful comment: NO COMMENT.

Cafe Najjar: Someone has a budget!!

By Admin I : It looks like finally another coffee brand decided to ditch the conventional “heritage+well shot coffee beans= buy our coffee” advertising approach and go for something interactive and very present in today’s society. After a series of hit campaigns by Cafe Super Brazil with a fortunetelling theme, Caffe Najjar decided to stand up to the challenge with a multivisual approach and a social media theme (even though the agency/brand was too lazy to post the videos online in an official appropriate way, a huge loophole in such approach, that could’ve easily gone viral).

3 TVCs were released, and being honest, the copywriting job is what made those TVCs the talk of the town (at least two of them) and a delight to watch, targeting two very different audiences at once: young adults and middle aged women/housewives.

Online chatting visuals have been used quite a lot lately, in many different campaigns whether locally (Lapiara) or internationally, but the use of such art direction came very useful to the proposed concept “Wen fi Lebeneh, fi Najjar” which is based on how Lebanese stay true to their rituals, especially the coffee “Subhiyyeh” no matter where they are. Another visual depicts a grandmother chatting with her granddaughter, following the same concept and a very funny dialogue.

The third visual featuring a young couple texting to set a meeting at Cafe Najjar broke the successful rhythm of the campaign with a failing treatment and art direction (chat symbols differ between the texting couple and the final headline) along with the fact that the whole approach is deja vue, and didn’t add to the previous two; If I knew Najjar had a budget overflow, I would’ve personally suggested a branding job, since the packages and the coffee shop brandings are screaming for a design lifting since ages!

Advertising in such a culturally rich diverse country can reach very high standards if the concept reflected a true contextual approach with a fine line between pop and vulgar (Smeds ad anyone?) since in the end, dealing with such a brand can be a quite good opportunity for storytelling as a medium, to express Lebanese rituals that we still enjoy and cherish.

Photo Credits: beirutdriveby.com

Photo Credits: beirutdriveby.com

Beit Misk finally makes real use of advertising

By Admin I : We finally welcome Beit Misk to the land of advertising after their series of immature attempts trying to create a link with the audience by releasing the “ana min Beit Misk” approach, introducing the name without the added value, which was a weak approach from a revolutionary project (as they claim). The visual approach came also weak with the use of low quality stock photography that we all identified with on the level of “the free Stock photos dvd bought from Bourj Hammoud”.

Anyways, Beit Misk is back on track with a muti-visual campaign and a precise message with the convenient visual. Talking concept, the campaign is well thought through and smartly illustrates the fact that Beit Misk is the ideal self-sufficient town offering a new lifestyle based on modern living techniques from electricity to gas pipes, satellite and safety systems. The art direction’s aim here was to convey a museum look that doesn’t really show unless you keep track of more than one visual. The photography is very dark, and the date tags can be easily missed.

A note to add, even though the whole campaign is generally good, the copywriting distribution or what we call hierarchy of information came a bit disappointing, especially that the revealer comes before the true selling point of the ad, logically speaking, the main headline should’ve been “generators are history” triggering people’s curiosity then the other revealing headline “24 hours electricity..” which would’ve added a degree to the flatness of the approach.

In the end, Beit Misk knew that advertising is “the” tool for a successful marketing approach, especially that the project claims modernity by all its means. We’re just too happy you decided to lose the cheap stock imagery, and conceptualize your work. Good job!

Follow

Get every new post delivered to your Inbox.

Join 201 other followers